Beethovens Cello: Five Revolutionary Sonatas and Their World

Beethovens Cellois the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire.

Winner of the 2018 CHOICE Outstanding Academic Title Award

In 1796 the young Beethoven presented his first two cello sonatas, Op. 5, at the court of Frederick William II, an avid cellist and the reigning Prussian monarch. Released in print the next year, these revolutionary sonatas forever altered the cello repertoire by fundamentally redefining the relationship between the cello and the piano and promoting their parity. Beethoven continued to develop the potential of the duo partnership in his three other cello sonatas the lyrical and heroic Op. 69 and the two experimental sonatas Op. 102, No. 1 and No. 2, transcendent compositions conceived on the threshold of the composers late style.
InBeethovens Cello, Marc D. Moskovitz and R. Larry Todd examine these seminal cornerstones of the cello repertoire and place them within their historical and cultural contexts. Also addressed arethe three variation sets and, in a series of interludes, the cellos owned by Beethoven, the changing nature of his pianos, the cello-centric Triple Concerto and the arrangements for cello and piano of other works. Featuring a preface by renowned cellist Steven Isserlis and concluding with the reviews of the composers cello music published during his lifetime,Beethovens Cellois the ideal companion for cellists, pianists, musicologists and chamber-music devotees desiring a comprehensive understanding of this beloved repertoire.

By Marc D. Moskovitz, R. Larry Todd